Brandymore Castle

In a 'manuscript' culture, the distinction between written and verbal text is not as sharp as it happens in a culture dependent on printing. It appears we are heading into a new era of manuscript culture as social networked content emerges and comes to dominate, as documents become conversations and conversations become documents. In a manuscript culture, such as the period in the West before the invention of movable type, or in China before printing became universal, manuscripts offered a 'more fluid transfer of information' where the copyist (think of 'retweeting' or sharing information socially), could make changes to the text, purposeful or inadvertent, could leave sections out or add new ones, combine with illustrations (as in illuminated manuscripts, perhaps similar to Storybird). (References http://goodlifezen.com/wp-content/uploads/2007/11/the-road-to-nowhere.pdf)

I caught a discussion of Newscorp's new plan to get users to pay for online news content. It will be difficult to sell news online because there are so many fragmentary ways to get the news for free. If any scheme for getting online users to pay for news does work, it just has to be easy. No matter what news sources online do, they must make paying for the news easy and transparent like iTunes. As easy as putting a coin in a paper box at the corner bus stop. The pricing is not as important as convenience. Also, the customer must have a feel for the worth of the content before they buy or they must get a cheap bulk subscription so the content is cheap enough to take the irrelevant, incomplete, incompetent or useless with the relevant, complete, competent and useful content. I hate sites that put up a poorly written summary and a login or subscription screen. It breaks the rhythm of navigation on the web when a link leads to nothing. It stops you cold and punishes the user for follow...

I realize now the real problem I have been working on and off for ten years now is 'conversation' versus 'story', but particularly applicable to journalism. In a way, conversation and story are like oil and water, they do not like to mix. Yet, stories are filled with dialog, or conversations, so why is that journalistic stories cannot contain dialog? Well, when it is an interview, they do. So what we need is a network tool that seamlessly integrates conversation (interview, written dialog, transcript) with story (narrative, reportage, essay and analysis). It looks like Google Wave has the closest technology to achieving this flexible confluence of conversation and story, even the potential for our conversations and stories to be both mobile and distributed. If every smart phone adopted Google Wave, and given that it works similar to email, which mobile computing already provides and is a robust and well-known commodity service, it promises quick adoption avoiding any ce...

The HD video version of the Panasonic Micro Four-Thirds camera is coming out, the GH1, and it confirms my idea this camera has potential to facilitate a new visual journalism, citizen journalism, social media journalism, whatever you want to call it, and Panasonic is aware of it (as I would assume they were from the time they started development of the system). According to Twice.com "fans who bring their Panasonic DMC-G1 cameras to Beck’s live performances will have the opportunity to take photos and videos at the event." Fans can submit photographs for inclusion on Jeff Beck's website. We may be seeing the beginning, with Flickr, JPG magazine and others who may follow in their footsteps, of a new great era of the "picture magazine" recapitualted on the network (I say network, because it is not just the web or email, anymore but content is becoming social and available throughout the network on all kinds of devices in all kinds of human contexts) through camre...

One of the significant issues that came up over the history of Folkstreams was the concern by small, independent filmmakers that people could download their films freely once they were "streamed" on our website. We chose to answer that concern by only allowing high resolution, full length films to be streamed and not downloaded. At the time, it was fairly difficult to save video being streamed over one of the major streaming media systems, Real or Microsoft (which we never supported because of its closed, proprietary nature). Our mandate as a non-profit organization is the widest possible dissemination of our catalog of films and to archive and present content in as open a way as possible. This is why we still offer video only through the antiquated method of a standalone media player and not the fancy embedded Flash player popularized by YouTube. In the beginning, we did not want to frighten off filmmakers from contributing films to our project. I hope that as filmmakers be...

The reason consumer electronic makers are scrambling to end the format war between HD-DVD and Blu-ray is simply because watching movies delivered by spinning discs is a rapidly obsolescing technology. The days of the CD and DVD are coming to an end. The emergence of static memory devices that can store the large amounts of data required for audio, video and images spells the end of storage devices that require physically moving parts. The growth of video on demand over the network and in general networked storage means the only reason the HD format discs are hanging on to viability is that it remains expensive and difficult to send the HD quality video over a network or store it on static memory. The window is closing and unless the DVD makers get their act together their technology will be eclipsed and no one will need a "Blu-ray" player to play anything and those DVD can be used for coasters. Archives may be one of the best customers for storage systems that spin discs to s...

I develop the platform for the folkstreams.net website, which is a non-profit archive for rare folklore documentary films. We transfer the films to video and then stream them to the web so they are not lost, molding in some archive never to be seen. Many of our films have not been seen for twenty years or more, one was rescued from a barn. As such, we are strong advocates of open access to archives (and I am happy to learn many other institutions in the folklore world also understand how important access is to a sustainable archive and are using the web in wonderful ways). To the point. It has always been important for our films to be presented in context. I have always believed that media without context is meaningless, whether that is a family photograph or a documentary film. A photographic image is merely an interesting composition without the information necessary to understand it, to interpret it. All images must be read...oddly enough, since they are the seeming opposite of text...