Brandymore Castle

I was prompted by something Andrew Shafer of Reductive Labs said (on the FooCampers list, so I won't reproduce it here, since it was forwarded to me) about the quality of communication among software developers. He was talking about how communicating the overall design and intentions of the project is vital, so the developers are not left guessing about how the application will be used and what its architects think it should do. What is important is the existence of a conversation between the leaders of a project and the developers writing the code. This hits very close to home, because our farmfoody.or g project is essentially there to improve the flow of information between producers and consumers of food, to enable a conversation . It occurred to me the solution is to throw away the flash cards and bulleted design specifications and just facilitate the conversation. Why not use social networking tools for developers to communicate? (You can get a sense of another approach from

I was thinking about the difference between novel writing and haiku poetry. In a novel, detail is included, in a haiku, detail is omitted, except for those exquisite details that distill from the experience to represent it. The advice to writers is to write what you know. A novel or haiku starts with a preexisting experience, something from the life of the writer or from an intense experience ("haiku moment," which is distinct from just having an idea or taking one from memory), which is like a photograph. The haiku may be more photographic than the novel, since the novel requires the author generate much more of the picture. In haiku, the reader supplies half of the picture. This is like painting compared to photography, where each begins with the scene, but the camera captures the scene and the painter generates the scene. Each process may be equivalent, since the photographer manipulates the scene through the camera in much the same way the painter manipulates the scene n

I am trying out MuseScore (http://musescore.org), an open source, free software for music composition and notation printing. It is the most robust and full featured of the open source music editors. It has a few bugs and some way to go before its features threaten the commercial competition, but it looks promising. I like the way it displays the score as a big page you can move around by dragging. I am still using an older version of Cakewalk, and it drives me crazy scrolling horizontally to read a song lyric. With MuseScore I can read music as if it were printed on a sheet of paper without scrolling. In Cakewalk, I get lost scrolling through the score, but in MuseScore I can immediately see where I am. Using Cakewalk's linear display it is difficult to compare measure to measure in a song. If I want to compare the melody in the fourth measure of the second verse to the melody in the fourth measure of the first verse, I must furiously scroll back and forth. Or print the score out

I've discovered local food and connecting producers to consumers came up at the WhereCamp earlier this year. I thought with the growing interest in theorizing about local food and connecting eaters to the people who grow their food, I'd gather up some links here. You can download a PDF filled with some of my early theorizing (I'm revising my "manifesto" but have not finished, for release at next year's season). It is available as a PDF Farm Foody: A Social Network Connecting Independent Farms to People presenting my rationale for how the social network benefits the family farm and society. My vision of "leveraging the network" as a way of helping small farms compete in a big agriculture economy falls not far from the idea of "How do we create an incentive system stronger than the federal incentive system?" asked by the WhereCampers. You can read about their ideas in a wiki summarizing the discussion. Food Talk at Wherecamp 2008

I truly believe there is potential for creation of an online media publishing system centered around the style of visual journalism cameras like the G1 can create. The rhythm of shifting from video to still photography in the hands of a capable, creative visual journalist, could be expressed through an architecture and presentation suited to it. The combination of video and still images have the potential to create in the viewer a sense of surroundings, a picture of the whole event, seen two different ways. The mix of still and video is suited to the idea of "quick-slow" development, where first captures can be uploaded for rapid presentation with little or no information and then later, more images can be added, stories added to flesh out the first blush images. Video can be edited to explain and give context to the event or stories can be added to give context to the visuals. The combinations are endless, given a sufficiently flexible system. Brief posts of video or stills

I am very excited about the Micro Four-Thirds format and the G1 camera from Panasonic. I have not decided whether I will purchase one or not, since my decision depends on the specifications and performance of the lenses. I am intrigued by the possibility of mounting the 7-14 ultra wide angle Panasonic has in their roadmap. It could make one of the most compact, lightweight and portable ultra wide angle kits to be found in any camera system. The 4/3 sensor size and lens design could provide very good edge sharpness for UWA work. I truly believe the G1 (and G1 with HD video) could be an online journalist's dream machine. With its articulating LCD and Live View, it can easily move between video and still photography. It is extremely small and lightweight, perfect for carrying all day or unobtrusive photography. The twisty LCD and live view means images can be had from all angles and heights. It is the perfect combination for online photo and video journalism once it can shoot HD video

Through the window comes the sound of melting snow-- a warm breeze. -sek, Oct 2008 It may seem a bit odd, a haiku about early spring just as we are heading into winter, but this one is based on an idea I've been kicking around for some years, trying to capture the experience of listening to the sound of snow melting from all directions through my window on a warm later winter day. I wanted to capture that feeling of prescience and anticipation and only now was able to compose a haiku around it.

Yellow leaves arranged on black branches-- exquisite in the rain. -sek, Oct 2008 Also, more in the Western tradition: Yellow leaves arranged on branches stained exquisite in the rain. -sek, Oct 2008 The use of rhyme is not typical of haiku.

This problem of how to transition ephemeral, but timely, information found in forums, Q and A sessions, all the forum-like forms on the network from Usenet to Twitter is one that fascinates me. I've thought about this for a long time without really coming up with any good mechanism for capturing the knowledge and experience of the forum, the group, from scattered individual, unrefined forms, to coherent, refined forms maintained by the community. I think that the idea of automatically transitioning content created by an individual into community property is a great idea. It may meet with some resistance from individuals. But I think it is a good solution to this problem, since anyone can start a conversation that does not just spin out into the oblivion of old forum posts, but can become a seed that grows into a well maintained, coherent, concise source of information. Where does my interest in this issue come from? As soon as I got my first website up and running, I wanted an emai

One of my longtime interests has been how to create a system that captures the knowledge of experts and refines it into a single resource. I was attracted to wikis early on by their communal authorship, but found the lack of structure unsuitable for my needs. What I wanted, for two of my early efforts, one a site intended to help family photography historians answer questions about old photographs and the other a site for programmers to find help with coding questions, was a way to let users engage in a Q and A and then somehow capture and distill the expertise into a more traditional article format (like a wiki page), which could be maintained by everyone. I wanted to capture the expertise emerging from the group discussion through some mechanism. I ended up developing a content management system for the coding site, which had the ability to "fold" a comment thread attached to an article back into the article for editing. I also developed a tool, which could take a forum thr

I suspected there would soon be a site attempting to give users a handle on their social and physical surroundings. To combine social and geographical "peripheral vision" enabling people to know what their friends are doing and where they are. What you are doing + where you are = an event , which represents a profound change in the way we use the web/network. And there is: http://www.whrrl.com/ "The people you know. The places they go" is their slogan. The first question whrrl asks is "What are you doing right now?" There is nothing special in this since Facebook has used the same question to power The Wall (social blog/feed system) for some time. Next, you are asked "Where in the world are you?" Whrrl combines a social activity feed of Facebook with the lightweight asynchronous message system of Twitter or Jaiku with elements of various mapping systems. Whrrl enables you to discover and keep in touch with your social and geographical surrounding

There is an increasing recognition of the importance of 'social realms' within the context of social networking. Some social sites started out as "walled gardens" where only friends could see social content a user posts. Other sites started out with all content posted being public like a graffiti wall. Social site builders are now recognize there should be many fine graduations of control over viewing and sharing social content. These social realms extend out from the user in concentric circles, from the being able to see their own content ("me"), to friends, to friends of friends, to networks or groups of friends, and finally to the public. Blogging was always seen as a form of publishing. The new systems emerging now are centered around "social blogging" or "social news feeds" and are called by various names. Facebook merged their "wall" application and their "mini-feed" application in a single feature called The Wal

Olympus and Panasonic have announced a new camera format based on the 4/3 image sensor format and compatible with the Four Thirds lens mount. Without a mirror and using half the normal flange distance, Micro Four Thirds cameras have the potential to be incredibly small, very similar to the 35mm rangefinder cameras popular in the late 1970s. Read the announcement of Micro Four Thirds at dpreview. The new cameras will employ a live view LCD screen and electronic viewfinder. The shorter lens flange will mean smaller lenses. An adapter for existing Four Thirds lenses is envisioned.

I believe the contaminated tomato debacle unfolding over the last week has something to tell us about the factory food system, which supplies much of what we eat. It is fascinating how this came to be embodied in the shape of our tomatoes. A lot of people are asking the question, just what kind of tomatoes are safe to eat? One answer, we are told by news and government, is to suspect our round tomato friends of harboring salmonella. I had to stop and ask why is this? Why round tomatoes? Although the description has caused confusion, my first thought was that by “round red tomato” they were talking about the class of nondescript tomato one finds commonly in the supermarket produce section, piled high in a bin. Typically, these are large, as nearly perfectly spherical as the tomato board can blandish producers into making them, bland looking orbs sold in the supermarkets and funneled by the ton into the fast food system to be slapped onto burgers. They are the perfect food to fit the mac

It doesn't matter to me whether I write haiku or senryu or whatever, as long as what I am writing is a satisfying expression of my need to share experience and thought. It would do no good to say a particular poem of mine is senryu and show me how to make it haiku, or to say I should withdraw it because it is not haiku. It isn't the form of poetry that matters. I'm not trying to write haiku , I'm trying to express myself . That's a crucial difference. Beginners want to know how to write haiku. But I what I tell you is that you want to find the form that enables you to express yourself, not learn to write haiku or iambic pentameter. You need to learn from these forms the form that suits you best, or a form in between no one has ever imagined yet. Each form you may take something from, you may move toward one or the other, or among them, but there will be a form that liberates your expression and you should use whatever form that is. Haiku is the just form of express

I recalled the story of Degas's sculpture the Little Dancer the other day. For a long time I have looked upon it as an example of how creativity really works and some of the misunderstandings about creativity our society perpetuates. It might surprise you to know that Degas was not a sculptor. Although he made a number of sculptures, none of them were ever shown to the public except for the dancer. For a long time Degas was frustrated that sculptors were failing to explore what we now call realism in sculpture. It appears that Degas' interest in photography may have inspired him to envision a new vocabulary for sculpture, which depicted the subject as it really was, instead of attempting to inspire people with an idea or vision of what ought to be. Most sculptors of his time continued to work in this tradition of heroic or uplifting sculpture. Oddly enough, this is akin to "socialist realism" of the 1930s, which demanded that art earn its living by bringing about soci

Increasingly, as so-called intellectual property becomes more prominent in the economy of the information age, is the entertainment industry becoming our government? http://www.dailytech.com/article.aspx?newsid=11885 Copyright is beginning to destroy our culture and exterminate the arts until Western art will be an empty shell, if it isn't already. On second thought, this is easy to defeat. Just take an empty media player with you and fill it up from the network once you arrive at your destination...most people will probably fill it up with "pirate" editions since those will be the easiest to obtain. Someday, there won't be any source other than the network anyway. Or, as one person commented, mail your ipod to you. I have to agree with the other comments that this is a futile effort by hidebound executives to put their finger in the dike. What troubles me is that this erosion of our culture has been going on for a long time, since the introduction of recorded media.

Empty sheet of paper-- guide to writing haiku. -sek, May 2008

It occurred to me that farm food is about more than finding fresh vegetables. We don't just visit a farmer's market or roadside stand because of the fresh vegetables. We go there to experience a sense of community. At the market we get to relate to real people. To meet people. To talk to vendors who know what they sell, care about what they sell, and can answer our questions. A supermarket produce section is like a warehouse peopled by stock movers who know little or nothing about the produce they sell. You may find a knowledgeable individual here and there, but the system is designed to move produce like boxes at a warehouse. The produce guy at the supermarket is not there for conversation. The relationship gets very personal when you have the same grocer for many years, when you visit the same roadside stand, when you buy vegetables or eggs from a neighbor with a microfarm. I always remember how refreshing it was as a child when my mother would take me to the grocery store to

"How come the people here, who for long periods eat nothing but the meat from one type of animal, are healthier than we are?" Andreas Viestad, author of "Where Flavor Was Born," poses the nutritional question in Where Home Cooking Gets the Cold Shoulder . This is another example of how an evolved system is superior to an engineered one. It shows the connection between culture (cuisine and taste) and nutrition. A food culture that survives, survives because the people are still alive to continue eating according to their food ways. This is also another way in which folklore affects us. The more distance you put between yourself and the nutritionists with their reductionist theories, the better your health will be. I disagree with the statement by nutrition researcher Harriet V. Kuhnlein, who says "Every time you process or cook something -- anything -- you are likely to be losing nutrients at every step..." This is not true for cooking tomatoes, which lib

Nature and culture are connected. Art emerges in nature. I like to photograph the happenstance or "found art" in nature, which is is just another way of saying that art naturally emerges in nature. The potential exists in nature for the creation of art through the juxtaposition of elements according to natural laws and emergent patterns (what we used to think of as chance). This is what I try to capture in my nature photographs. If you'd like to know more about how nature and culture are connected, read William Cronon's Uncommon Ground .

I've been thinking about "namespaces" for tags lately. Sometimes tags become too random, disorganized, or numerous to be relevant or useful. One way of cutting through the clutter is to create more than one set of tags. I've seen this on at least one website, sprig.org, which offers "togs" or an alternative set of tags to classify posts by. The difference is these tags are restricted to a particular concept, types of ecology-related terms, such as "organic." What this secondary set of tags produces is in reality a set of tags under another namespace "Ecology." It is possible to organize tags into namespaces, each representing a concept. This would not be imposing hierarchy on tags, but creating nodes representing concepts. So that Ecology might contain organic, carbon free, sustainable, etc. and Mathematics might contain number, equation, factor, etc. I organize my photographs in Photoshop Elements using tags. I chose to avoid using tags

C ommunity: From Little Things, Big Things Grow is a really good overview of how community grew on Flickr and some of the philosophy informing how social community works. At Flickr, we’ve worked very hard to remain neutral while our members jostle and collide and talk and whisper to each other. Sharing photos is practically a side-effect. Our members have thrilled and challenged us—not just with their beautiful photography, but by showing us how to use our infrastructure in ways we could have never imagined. This is the same principle that operated when the web was born. It was simple, open and flexible enough that people could put it to unintended uses. It wasn't overdesigned. The net itself enabled people who "shouldn't" or "wouldn't" want to connect to find each other. It enabled people to find information they "shouldn't" need or want to find it. It enabled people to find, and share, what was important to them. As I just wrote, the con

I've been working on building a social networking site, but because of the angle we approached this (we sort of backed into it) it did not have many of the features of a "normal" social site. As we have developed the site, I've used more social networking services in order to study them and thought about some of the decisions we've made. The essence of social networking is helping people keep up with what their social group is doing and sharing interesting things with them. It's not really about the content, the pictures, the classified, the video, the recipes. What keeps people coming back to the social network is curiosity about what their friends are doing. Or they are notified of some new content related to a friend's recent activity, photos from last night's great party or the new baby. We gave ourself quite a task, since a core audience for our network consists of people who are very stubborn about getting online. Many do not even have or want an

Contrary to the popular idea that red and yellow are colors signifying danger because poisonous animals display these colors as a warning, another theory says that "mammals developed the ability to distinguish between red, yellow and orange in order to identify ripe fruit." according to an interesting article, Red and Yellow Kills a Fellow . Although it is popular today to see McDonalds and other fast food joints that advertise their food with red and yellow as a metaphor for the supposed dangers lurking within fast food, in reality fast food restaurants were safer places to eat than choosing from unfamiliar eateries and diners, which used to be referred to as "ptomaine Tommie's" prior to the emergence of clean, safe fast food places like White Castle or McDonalds. There must some other explanation for the ubiquitous red and yellow cardboard french fry, popcorn boxes and "golden arches" and red and yellow sign, and this sounds like a reasonable one. It

I found an interesting comment suggesting Lego blocks as an example of how simplicity could make software better. The poster argues there are "no complicated things" in the universe, but that things often merely seem complicated, an illusion our perception of the phenomena, and that if we just look closely enough (reduce it to parts---reductionism) a simple, linear, non-paradoxical design emerges. "Just look closer" the argument goes and you will see the simple, discrete, isolated building blocks of the seemingly complex system. This is the reductionist argument. The poster says this of Lego: Let's take LEGO. Do you need to test LEGO package? Ofcoz, not. Do you need to test EACH (of hundreds) piece? No. You have: 1. Global design. 2. Common interface to connect bricks (piece) to each other. 3. Pieces specification. The problem with this analysis is it ignores that in real complex systems, wholes are sometimes parts and parts are sometimes wholes. Object oriente

There has been a flurry recently inspired by Michael Pollan writing about a vision of people becoming producers and consumers in society. He argues that industrialization created a division in society between producer and consumer, with the consumer essentially at the mercy of producers. I've thought about how once there were many producers of food, but as agriculture industrialized, we began to call the things we did "industries," a hog farm became the hog industry, wheat farming became the grain industry, raising beef became the cattle industry. All the little myriad farms producing our food were replaced by large commodity farms based on economy of scale through centralization and industrialization (the use of petrochemical fertilizer, mechanized harvesting). Some of the changes introduced by industry have been useful, for example frozen peas are by and large much better quality than fresh or canned peas. Peas must be picked at the very peak of sweetness, which only la

I think we are at a moment like the discovery of irrational numbers, which were rejected by the Greeks as incomprehensible. It seemed crazy to believe in negative or irrational numbers, but once mathematics was past this reluctance, these kinds of numbers were accepted into the concept of number. It is important to note the Greeks had an idea of number, which did not admit such things as negative or irrational numbers. Yet, in time, these concepts of number would come to be accepted by mathematicians and taught in modern elementary schools. We are at the moment in science, where it is difficult to see the forest for the trees. We are so close to science as a reductionist process we fail to recognize there are other processes that can lead to scientific understanding. To most people, reductionism is science. But we are beginning to discover another approach to understanding complex systems in the natural world, which goes beyond reductionism. Science is starting to recognize the reducti

This reminds me of the advice to songwriters and musicians to support the song. The song is everything and everything, every element of the music, the words, the accompaniment is in service to the song. A song is not about you, it's not a showcase for your ability on the guitar or drums, it's not a place to showcase you, but to submerge yourself to the song. Beginning songwriters are often admonished they must "generalize the particular," which means that although the seed of every song is you, that it must be constructed or expressed in such a way that it touches others. No one is interested in your particular situation, but if you find those aspects of your life that are resonant with theres or universally with humanity, then you have a work of art, a song. I find this advice useful to nearly every creative activity possible, since genuine creativity always starts with the characteristics of the individual and their experience, creativity must start with what is uni

Abandoning ideas is one of the most difficult things a creative person can do. It is also one of the most important. I struggle to give up on ideas, since they are like my children. Zen teaches us to avoid clinging to our desires. It's like being fired, you can't move on to greater success or another project unless you leave the present one behind. Getting fired can be the best thing that happens. Killing the lesser idea, killing the lesser job, allows you to move on to the greater one. I rarely throw away an idea. That is one habit creative writers exhibit, especially songwriters, they keep every scrap of an idea they write down and use them years later in other works. An abandoned idea is not always abandoned, just sleeping or waiting to find the right fit with another idea. Songwriters usually keep notebooks filled with scraps from overheard conversations or ideas that come late at night, at breakfast, in the shower, on the train. Hitchcock, who said "Drama is life with

This is a very real phenomena where you know you have artistic intuition or what Ira calls taste, but you lack the experience or ability to realize that taste. He says "do a huge volume of work" which goes against the grain of most rational advice. Why would you want to continue to repeatedly crank out poor quality work, work that does not live up to you vision, your taste? Isn't it a failure to create works that do not live up to your taste? You didn't become a creative person to make bad stuff you became one to make good stuff. I fell into this trap and am still struggling to get out of it. I always felt that I should only do good work otherwise I must be wasting my time. It always bothered me when I couldn't get through a song on the guitar without flubbing a note. I know musicians, even great ones, do this all the time and no one in the audience knows the difference or cares, but I know and I do. This is a kind of perfectionism, which stifles creativity, becau

I found this series of talks by Ira Glass very helpful. My high school English class also emphasized the essay paragraph and really never taught story telling. I somehow absorbed by osmosis that anecdotes were something to be avoided, but I agree with him that anecdote is the seed of the story. It's not a story yet. As Ira says, next must come an explanation of why you're spending time reading this anecdote, which he calls the "moment of reflection." In this example, he takes advantage of the dual meaning possible in the events of the anecdote. Waking up to a quiet house might mean a pleasant Sunday morning or might mean the house is too quiet, abnormally quiet, with ensuing consequences. The example is setup well for a suspense story...it remains to be seen whether this anecdote followed by reflection is applicable to other types of stories. I suspect it is. It's always been an obstacle to my writing, that I find material I know is compelling, but get stuck attem

Maple seeds and songbirds-- ready to fly. -sek, Apr 2008

In recent years tomato sauce was in the nutrition news. It turns out that cooking tomatoes makes Lycopene more available than in fresh tomatoes. This went against the prevailing grain of nutritional thinking, which said that fresh was always better. Nutritionists argued that cooking reduced the amount of vitamins in food. They backed this up with scientific studies showing that cooking vegetables (or fruits like tomatoes) does reduce the amount of vitamins. An obsession developed over "keeping as much of the vitamins" in your food as possible. Steaming was touted as a way to avoid "losing" the vitamins into the cooking water. The typical English way of preparing vegetables was dammed as washing away nutrition. New technologies were advanced in an attempt to retain as much of the nutrients (known ones) as possible. Some radical eaters adopted entirely raw diets hoping to not lose a single molecule of nutrition. The trouble with this view, was that it overlooks the r

Blowing on the spark inflames-- a haiku. -sek, Mar 2008

Hybrid rose-- blue sky without rain. -sek, Feb 2008

I don't need a tomato that rides well, a transcontinental traveler. I just need a tomato grown from grandmother's seeds. I don't need a tomato perfectly round, a spherical aberration. I just need a tomato grown from grandmother's seeds. I don't need a tomato blessed by the grower's association. I just need a tomato grown from grandmother's seeds. -sek, Mar 2008

Our approach to nature is framed by the narrative where "...an original pristine nature is lost through some culpable human act..." "The myth of Eden describes a perfect landscape, a place so benign and beautiful and good that the imperative to preserve or restore it could be questioned only by those who ally themselves with evil." Echoes the appeal to nature. The similar religious zeal with which science is protected from dissent by accusing those who question prevailing thought as either delusional or malicious. This similar approach to questioning emerges from Enlightenment thinking, ironically, since this is the source of the "question anything" admonition, yet is also the source of dogmatism, once an idea has been baptized as "fact," which can only be questioned by the allies of evil (witness the scientists who say a "new dark age" is threatened by advocates of intelligent design. The imperative becomes hysterical when the prevaili

"This habit of appealing to nature for moral authority is in large measure a product of the European Enlightenment." Explains why "science" is used as a non-negotiable trump card against dissenters--one must be delusional, ignorant or malicious to oppose "scientific truth" used as a cudgel by opinion shapers to silence their enemies. My ideal of nature has always been the one that suits humans, which we have every right and obligation to construct and maintain in order to sustain our existence. This includes the city, which I love, the suburbs, like Arlington with its special character, where I was raised and live and also love, and the country, which I am not so much in love with, but respect and enjoy visiting. (refer to p.36, Cronon, Uncommon Ground )