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Showing posts with the label network

Twitter's Game of Telephone

I find the criticisms of Twitter, especially by literate people or authors tiresome. They are so wrapped up in their own cherished conception of what literacy, writing and authorship is, they can't see the creativity and value of Twitter's social sharing mechanism. At its best, Twitter is like the game of telephone. That is where a child tells the child next to them something, then that child tells the next child, and after going through several children, a slightly different story emerges. I believe this is a _good_ thing. What I loved about "retweeting" when I first discovered it on Twitter, was how it was a editorializer's paradise. Tweets in the process of being retweeted simply begged me to rewrite them, reorganize them, expand or comment on the idea, adding my own ideas and thoughts to the original tweet. Perhaps even shifting it entirely into my own framework. I posted my retweet in the glorious knowledge that someone else might take my words and reformulat...

Trouble in dead trees and inky fingers land

Newspapers and thinking the unthinkable An excellent analysis of the situation newspaper based journalism is in. I like the idea of micro-payments for content, such as New York Times articles. The only problem I have with it and why I would be reluctant to use it, is simply that I have to pay for the article before I've read it. Even if I saw an excerpt, it might not be enough to determine whether it is worthwhile or not. A solution for this problem might be found in social networking. I usually read articles my friends share with me (by sending a link in email or chat). I would be much more willing to pay for an article they recommend. Keep the price low and integrate with a social sharing system and it might work as long as the payment is by an "easy button." The greater problem is content and authorship is changing radically with digital content available through the network, given the unlimited perfect copying and access without distribution. What we are seeing is a w...

Biological Construction and Networked Content Creation

The order and symmetry of biologically created structures, such as an egg or the human body, are expressions of how correctly those biological systems worked to construct the natural artifact. Biological organisms are collections of cells cooperating with each other. The order and correctness is an expression of the successfulness of the collaboration. An egg comes out more egg-like when the biological processed working to make it cooperate and collaborate more correctly in its construction. I believe this has implications for the collaborative processes operating in networked software development and information science. The biological process of construction is inherently different than the one humans have inherited from their tool making and industrial heritage. What will we make of it?

Farm Foody: A Social Network Connecting Independent Farms to People

Over the last year, I have been working with Tom Davenport, and Matthew Davenport, of Hollin Farms , a small, independent but very internet-savvy family farm to start a social networking service Farm Foody (farmfoody.org), which uses the Internet to connect local farmers like you to their customers. I would like to summarize why we believe social networking is so important to the survival of the independent family farm, by posting a revised version of our flyer. A social network is a group of people who become connected to each other through their activities and interests within an online community. We believe a social network increases the economic leverage for the independent farm. A catalog of farms or an individual farm homepage does not change the economic leverage of a farm. A social network gives the small farm leverage in a big agriculture economy in two principle ways: by helping farmers manage their relationships with customers more efficiently and generating a more effectiv...

Random Blather on Andy Warhol and Social Networks

Andy Warhol could have expressed himself in any medium. He chose painting (or at least a medium that appeared on its surface to be painting), perhaps by accident or by design, but whether he chose painting for this reason or was merely successful because he chose correctly, we may not know, but at the time he worked painting was the one medium where an artist would be taken seriously, what they had to say about society would be taken seriously in the medium of painting. He could have expressed his prescient views on celebrity and mass media by carving little dolls or collages, but he chose painting, I believe because that is the medium society would take seriously and pay attention to. If he didn't understand that, he was ignorant of the art world and society from the mid-twentieth century to the end of the twentieth-century. Only now with the information age are new art forms emerging that make painting, novels, movies obsolete. A great artist does not care what medium they work i...

Out of many, one: The acceptance of many views.

I've talked before about the need to accept the inconvenient existence of multiple of truths that exists in genealogy. Incomplete knowledge about the past is unavoidable. The past is gone and we are not getting back to put under a microscope. Even the present is difficult to pin down. We only know what we experience or someone tells us, which is pretty much what we know about the past, only through source material and what someone tells us. We are left frequently with only sketchy knowledge about family history. This leads to different families claiming the same individual, each with their own basket of evidence and story. I've learned to accept this as a reality and moreover, I've learned to accept this as being a Good Thing (or at least the best thing we can expect given the nature of reality). The net it turns out is very good at handling incomplete information as it rapidly emerges and changes from multiple authorities. The applications emerging ont he web are gradually...