Brandymore Castle

I'm not going to name the site that got me starting writing this post. Its a sentiment I've seen on many sites with a traditional publishing orientation. They follow the old tradition from the age of print, where all submitted works are required to be "not published elsewhere," requiring "first print" rights and demanding every "reprint" (copy) should cite the publisher as place of first publication (what is this, vanity?). These guidelines ignore the reality of the new age of immediacy, of information abundance, of venue abundance, the network. There is no scarcity in publication, there is no value in "first publication" or artificial scarcity on the network. The document is the conversation the conversation is the document. The old publishing world is gone, stop trying to hang on. The attitude simply does not fit with a universe of networked information being shared and reshared by millions of people, winding its way in bits and pieces ...

I develop the platform for the folkstreams.net website, which is a non-profit archive for rare folklore documentary films. We transfer the films to video and then stream them to the web so they are not lost, molding in some archive never to be seen. Many of our films have not been seen for twenty years or more, one was rescued from a barn. As such, we are strong advocates of open access to archives (and I am happy to learn many other institutions in the folklore world also understand how important access is to a sustainable archive and are using the web in wonderful ways). To the point. It has always been important for our films to be presented in context. I have always believed that media without context is meaningless, whether that is a family photograph or a documentary film. A photographic image is merely an interesting composition without the information necessary to understand it, to interpret it. All images must be read...oddly enough, since they are the seeming opposite of text...